ArchivesSpace at the University of Iowa

In Sep 1973, Finlay writes to Michael Harvey requesting that Harvey and Goodricke make a ceramic-concrete maquette, based upon a Ron Costley sketch, for the Stuttgart Max Plank project. Finlay provides detailed instructions on the lettering for the work. A month later, he comments on the Harvey efforts indicating that he wants a "Matisse'y" effect which depends upon a flat surface as opposed to a kinetic effect that looses the balance between the visual and the word part. -- Source of annotation: Marvin or Ruth Sackner.

The words 'er' and 'sie' within the poems of this book are printed in bold typeface. The poems consist of lists of words in alphabetical format. -- Source of annotation: Marvin or Ruth Sackner.

The words 'er' and 'sie' within the poems of this book are printed in bold typeface. The poems consist of lists of words in alphabetical format. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Finlay Archive cabinet. -- Source of annotation: Marvin or Ruth Sackner.

This letter to Charles Cameron includes several names and details for poetry readings that DSH suggests are to be contacted including Bob Cobbing, John Furnival, Ernst Jandl and Aram Soroyan. -- Source of annotation: Marvin or Ruth Sackner.

The text taken from Jandl, Schwitters and De Vree is printed as captions to photographs of ships. -- Source of annotation: Marvin or Ruth Sackner.

The text taken from Jandl, De Vree and Schwitters is printed as captions to photographs of ships. -- Source of annotation: Marvin or Ruth Sackner.